Kellan Lutz stars as the mythical Greek hero -- the son of Zeus, a half-god, half-man blessed with extraordinary strength.

Betrayed by his stepfather, the King, and exiled and sold into slavery because of a forbidden love, Hercules must use his formidable powers to fight his way back to his rightful kingdom.

Through harrowing battles and gladiator-arena death matches, Hercules embarks on a legendary odyssey to overthrow the King and restore peace to the land.

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While it obviously sets out to entertain and excite its audience, The Legend of Hercules manages to take one of the most popular heroic legends of history and turn it into a bland, weak, unoriginal, lazy disaster.

Twenty years later, Hercules begins his odyssey when he is betrayed by the King and his step-brother resulting in his being sold into slavery in a far away land.

Hercules, along with his friend Sotiris, battle their way back to Greece to end the reign of the despot King.

While the cinematography is lush and the camera work sharp, if derivative, the film is very much a huge polished turd and should be avoided, flushed from existence.

The film steals from every sword and sandal film before it 300, Gladiator, Spartacus, even moments of Braveheart.

What is surprisingly lacks is much of the actually adventures and personality that defines Hercules outside of his demi-god origins.

Instead, The Legend of Hercules leans heavily on a contrived romance with Princess Hebe, the histrionics of his wimpy half-brother Iphiciles and the quest to vanquish King Amphitryon.

The technique of slowing and speeding up the action which was once triumphantly inspired and unique is not tired and boring, especially in the hands of Harlin.

The film is further damaged by a bland, sub-par performance and presence of its star, Kellan Lutz, as Hercules, bringing nothing notable to the role.

He never manages to instill Hercules with the strength and awe that the role demands even when aided by special effects as he swings stones around madly or wields a ridiculously rendered Lightning Sword.

The Legend of Hercules is a complete failure, a horrendous bomb that will likely make the top of the worst of 2014 for many twelve months from now, perhaps even the entire decade.

When their love threatens the plans to unite two lands and embarrasses the King, Hercules is sent to his doom along side Captain Sotiris (Liam McIntyre) and his eighty doomed men.

They are cornered, the men butchered and Hercules and Sotiris captured by the Egyptians.

After being sold into slavery to fight in the arenas, Hercules and Sotiris make a pact to return to Greece, managing to convince the slave owner that Greece is where he can make a fortune on Hercules strength in the arena.

After defeating six formerly undefeated warriors in the Greek arena, Hercules wins his freedom and, now in his homeland, sets out to overthrow King Amphitryon, defeat his conniving step-brother and free his one true love, Princess Hebe.

Even in the most exciting fighting sequences, Hercules exerts far too much pretty-boy, estrogen-laced poser attitude to convince anyone he can defeat any opponent aside from his spoiled, obnoxious step-brother.

The dialog of the script and the uninspired direction undermine Lutz best efforts to make his Hercules unique and powerful.

Examples of his strength are reliant upon the special effects and well-worn camera work, never coming from his own actions, dialog or heart.

He is put through the paces, jumping over his enemies swinging his sword in the air in glorious slow motion, but he never gets the opportunity to display his strength as an imposing figure, one that sends daggers of fear into those standing against him.

Never. In the Arena scene, as his introduced as if entering a modern Wrestling ring, instead of striking a formidable appearance, he staggers aimlessly out of the shadows as if it were a comedy, a send up to the source material.

Embarrassing. If this Hercules is a lover not a fighter, he fails on that level too; there is never the weakest of sparks between Lutz and Weiss resulting in the dullest, limpest love scenes in decades.

In fact, theres more spark between Hercules and the good Captain Sotiris as the bro-mance nearly ignites the screen when Sotiris pledges his allegiance to Hercules in the films single authentic moment all it needed was to be sealed with a kiss and it appeared, in that very moment, it just might.

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That may have made for a more interesting movie given the path the film is taking at that time.

What is worse, for an action film, the movie is decidedly dull, boring and uninspired.

It is difficult to recollect a moment worthy of mention in a positive light.

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